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Eden Casteel

Singer, Pianist, Producer, and Solo Show Creator
  • Kahn Artist: Madeline And Me
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Sad.

Sad.

How To Carry A Tune In A Bucket

Eden December 29, 2014

More "Terrible Singers" lists later, but first . . . .

Q: Is It true that some people can't carry a tune in a bucket? Are some people born not to sing?

A: NO. Some people are born with a natural ability to sing, and some aren't. But everyone can learn, everyone can improve. Everyone can sing. 

I'll add to that: I think everyone WANTS to sing.

I recently worked with a gentleman who was finally taking voice lessons for the first time ever. He loved music but had no idea how to make his voice work. "Mom said I sounded best when I kept my mouth shut!" he said with a steely laugh. The joking masked real frustration and pain at not being able to sing like he wanted. He couldn't reach high notes, and couldn't find the low notes. He could hear and recognize a melody, but he couldn't get his voice to follow it. So he made sound wherever sound could be made, even if that meant singing the same same couple of notes over and over again, like a drone.

In childhood, he was not an accurate singer, but he was loud -- until he was told to shut up. He was made to stand in the back of the group, to step away from the microphone. He mouthed the words of the carol, while everyone else actually sang. In adulthood, he sang with bar bands and in ad-hoc groups, and tolerated the jokes and razzing when his bad singing was noticed. No one cared how he sang "Sweet Caroline."But then came something awful and wonderful: His child sang with freedom and accuracy and happiness, and he longed to have that same joy. Finally, the pain of singing poorly was greater than the pain of judgment.

For the technically challenged singer, just taking a voice lesson is an incredible leap of faith. My job is to reward that trust with gentle, supportive coaching on breathing, pitch matching, and listening. We focus on making accurate sounds, strengthening the connections between brain and ears, throat and lungs. I make sure the abdominal muscles aren't too tight or too loose to support a tone. I use a tuner to help pitch-challenged ears locate and match the sounds I play on the piano, or the tones I sing (some singers can hear voices better than they hear pianos). Progress can be quick, but usually it's a few extra notes here, a little more freedom there, adding up over time. I record the lessons so the singers realize they are, in fact, progressing. They are always amazed at the new sounds they can make. (It makes me happy too!)

A newly strengthened voice can explore very easy songs, or short sections of beloved songs that have formerly been out of reach and out of range. We talk honestly about what's technically possible now and what might happen later on with improving skills. The best part is, we start to think about singing in a whole new way. No more dismissal, no more embarrassment, no more despair. Like every other person on the planet, this person is a singer. This person can sing.

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In All Posts, music, perfect pitch, performance, pitchy strippers, registers, Singing, solfege, voice teaching, you need help Tags pitch, Sweet Caroline, voice lesson
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Featured
Jan 17, 2021
Doing the Dumb and the Difficult
Jan 17, 2021
Jan 17, 2021
Nov 2, 2020
Do you really need a voice teacher?
Nov 2, 2020
Nov 2, 2020
Oct 20, 2015
Teaching Bob Dylan
Oct 20, 2015
Oct 20, 2015
Jan 30, 2015
Unaccompanied Minors
Jan 30, 2015
Jan 30, 2015
Dec 29, 2014
How To Carry A Tune In A Bucket
Dec 29, 2014
Dec 29, 2014
Nov 4, 2014
I Knew They Were Terrible Singers! Part 3
Nov 4, 2014
Nov 4, 2014
Oct 22, 2014
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Oct 22, 2014
Oct 22, 2014
Oct 3, 2014
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Oct 3, 2014
Oct 3, 2014
Feb 18, 2011
Ornamenting and "oversouling"
Feb 18, 2011
Feb 18, 2011
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